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Helmut Oehring: aktuelle Werkliste (Stand 02/2003)
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Archiv:
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Visionen (1986)
for guitar solo
FP: 1987 Berlin
Akadmie der Künste/T. Bruns
duration: 12'
(by oehring)
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1. Stringquartett (1987)
FP: 1995 Berlin
Ballhaus Naunynstraße
Thürmchen Ensemble Köln
duration: 15'
(Edition Timescraper)
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...und alles schöne/Heiratsannoncen (1987)
for soprano, alto, tenor, bass and percussion
FP: N.N.
duration: ca. 10'
(Edition Timescraper)
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Trio I 3 Stücke (1987)
for 3 flutes
FP: N.N.
duration: ca. 3'
(Edition Timescraper)
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Trio II (1987)
for violin, guitar and double bass
FP: N.N.
duration:ca. 3'
(Edition Timescraper)
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Do you wanna blow job
for saxophone quartet (1988)
FP: 1996 Berlin/Konzerthaus
Berliner Saxophon-Quartett
duration: 12'
(Edition Timescraper)
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Vorspiel und Gesang
nach Worten von FJS (1988)
for mezzosoprano, flute, oboe, guitar,
viola and double bass
FP: N.N.
duration: ca. 10'
(Edition Timescraper)
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wie immer... (1989)
for bass tuba and percussion
FP: N.N.
duration: ca. 13'
(Edition Timescraper)
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Nr. 1 (aus: Koma)
Version for 2 guitars (1988)
also: version for guitar and percussion
FP: 1988 Berlin
Hochschule der Künste/Duo Feldmann
FP Version for guitar and percussion: 1996
Evers/Froleyks
duration: 16'
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Nr. 1 (aus: Koma)
Version for 15 instruments (1990)
cl, ssax, bn, hn, trbn, bass tuba,
2 perc, 2 gtr, 2 vla, 2 vlc, db
FP: 1990 Berlin
Hochschule der Künste/boris blacher ensemble
cond. Friedrich Goldmann
duration: 16'
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Nr. 2 (aus: Koma)
Rapid-Eye-Movement (1990)
for clarinet, double bass and percussion
FP: 1993 Hannover-Herrenhausen
Schloß Herrenhausen
Kammerensemble Neue Musik Berlin
duration: 25'
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Nr. 2 (aus: Koma)
Rapid-Eye-Movement
Version for 15 instruments (1992)
cl, ssax, bn, hn, trbn, btuba, 2 perc,
2 elec. gtr with volume pedal, 2 vla, 2 vlc, db
FP: 1993 Berlin/Konzerthaus
Kammerensemble Neue Musik Berlin
cond. Roland Kluttig
duration: 25'
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Nr. 3 (aus: Koma)
Version for septet (1989)
fl, cl, bn, db, 2 gtr, perc
FP: 1989 Berlin/Theater im Palast
Kammerensemble Neue Musik Berlin
cond. Christian Münch
duration: 15'
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Nr. 3 (aus: Koma)
Version for 15 instruments (1990)
cl, ssax, bn, hn, trbn, btuba,
2 perc, 2 gtr, 2 vla, 2 vlc, db
FP: 1990 Berlin
Hochschule der Künste Berlin
boris blacher ensemble/cond. F. Goldmann
duration: 15'
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COMA I
for orchestra (1991)
picc, corA, cl, bcl, tsax, dbn, 2 hn, 2 tpt,
trbn, dbtuba, cel (hammond-organ), 4 perc,
2 vln, vla, vlc, 2 db
FP: 1992 Leipzig/Gewandhaus
Kölner Rundfunk Sinfonie Orchester
cond. Hans Vonk
duration: 10'
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VIDEO (aus: Koma)
Musik/Idee/Kamera/Schnitte: Oehring
Darsteller: M.Hille
Produziert im Videostudio der Akademie der Künste (1990)
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gestauchte WINKEL
for five wind players (1991)
ob, bcl, bn, hn, trbn
FP: 1992 Berlin/Philharmonie
attacca berlin/cond. Konstantia Gourzi
duration: 8'
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gestopfte LEERE
for accordion solo (1991)
FP: 1992 Berlin/Konzerthaus
B. Erbe
duration: 12'
(Verlag Neue Musik Berlin)
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LOSHEIT
for double bass duo (1992)
also: version for violin and cello
FP: 1992 Berlin/Konzerthaus
Kontrabaß Duo Berlin
FP: version for violin and cello: 1996 Berlin
Kreuzberger Klangwerkstatt
Tast/Riemke
duration: 15'
(Version for double bass duo)
(Version forr Gitarre solo)
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Locked -in-
for guitar, violin, viola and cello (1992)
FP: 1993 Duisburg, Mercator Halle
Kammerensemble Neue Musik Berlin
cond. Roland Kluttig
duration: 15'
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ASCHE
for oboe, cor Anglais, trombone, perc,
piano, viola, cello and double bass (1992)
FP: 1993 Berlin/Konzerthaus
Gruppe Neue Musik "Hanns Eisler"
cond. Christian Münch
duration: 15'
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CAYABYAB
for guitar, basset horn and percussion
(1993)
also: version for vlc, basset horn and perc
also: version for gtr, bass clarinet and perc
also: version for vlc, bass clarinet and perc
-also: version for double bass,sax, and perc
FP: 1993 Berlin, Ballhaus Naunynstraße
Kammerensemble Neue Musik Berlin
FP: version for vlc, basset horn and perc:
1994 Berlin, Riemke/Wäntig/Werzlau
FP: version for bass cl, vlc and perc:
1996 Bremen/Riemke/Nabicht/Werzlau
duration: 18'
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STRYCHNIN
for trumpet, trombone, piano, viola and double bass (1993)
FP: 1993 Dresden/Staatsoper
Ensemble United Berlin
duration: 13'
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STRYCHNIN II
for trombone, harp and double bass (1993)
FP: N.N.
duration: 13'
(Edition Timescraper)
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FOXFIRE EINS
<natriumpentothal>
for guitar or cello solo (1993)
FP: version for guitar: 1994 Dresden
Dresdner Tage f. zeitgen. Musik/Reinbert Evers
FP: version for vcl: 1994 Berlin/Konzerthaus/
Ringela Riemke
duration: 12'
FP: version for E.Bass (Fretless)
Berlin 1999
Arnulf Ballhorn
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FOXFIRE ZWEI
<pancurominbromid
for basset horn solo (1993)
also: version for bass clarinet
FP: 1994 Berlin, Konzerthaus, Unolf Wäntig
FP, version for bass clarinett: 1996 Bremen
Radio Bremen, Theo Nabicht
duration 15'
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FOXFIRE DREI
<kaliumchlorid>
for vibraphone solo (1993)
FP: 1994 Berlin/Konzerthaus/Fr. Werzlau
duration: 12'
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LETHAL INJECTION
for cor Anglais, bassoon, viola and tape (1994)
FP: 1995 Leipzig (Rathaus-Konzert)
Ensemble Sortisatio
duration: 13'
(Edition Timescraper)
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SUCK THE BRAIN OUT OF THE HEAD
for 6 percussionists and tape (1994)
FP: 1994 Dresden
Percussion de Strasbourg
duration: 15'
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Einfache Dinge /
IRIS:
for 15 instruments, tape and CDs (1995)
FP: 1995 Frankfurt/M./Alte Oper
Ensemble Modern, cond. I. Metzmacher
GOGH s.m.p.
duration: 18'
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LEUCHTER
(aus: kurz im Müll gestochert) (1994)
for oboe, cello and prepared piano
(tape ad lib.)
FP: 1994 Berlin, Konzerthaus/Aulos Trio
duration: 13'
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DIENEL
(aus: kurz im Müll gestochert) (1996)
for bassoon, double bass and harpsichord (tape ad lib.)
FP: 1996 Berlin/Rathaus-Konzert/
Trio Bassonata
duration: 13'
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ZUENDEL
(aus: kurz im Müll gestochert) (1996/97)
for flute, oboe, violin, viola, cello and
prepared piano (tape ad lib.)
FP: N.N.
duration: 13'
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SELF-LIBERATOR
(aus: Irrenoffensive) (1994)
for 2 deaf persons (sign language/
spoken language), solo trumpet and ensemble
text: Oehring/Taumel
FP: 1995 Berlin, Philharmonie
Ensemble Modern, cond. R. Kluttig
GOGH s.m.p.
duration: 18'
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Wrong
SCHAUKELN - ESSEN - SAFT
(aus: Irrenoffensive) (1993/95)
for 1 deaf person (sign language/spoken language),
oboe, bass trumpet or trombone, violin (viola), elec. gtr , perc,
live elctronics
text: 1. Part:B.Sellin/ 2.Part:Oehring
FP: 1994 Berlin, Konzerthaus
Kammerensemble Neue Musik Berlin
cond. R. Kluttig/GOGH s.m.p.
duration: 20'
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Dokumentaroper
BITTE SAGEN SIE MIR IHREN NAMEN NOCH EINMAL,
ICH HABE IHN BEI DER VORSTELLUNG NICHT DEUTLICH VERSTANDEN
(aus: Irrenoffensive) (1994/95)
for mezzo soprano, voice, 3 deaf persons -
ob, sax, tpt, trbn, tuba, perc -
vln, vlc, elec. gtr, live electronics
text: Oehring
directed by: M. Dessau
FP: 1995 Witten (Tage für Neue Kammermusik)
Kammerensemble Neue Musik Berlin
cond. R. Kluttig/GOGH s.m.p.
duration: 56'
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POLAROIDS Melodram
(mit Iris ter Schiphorst) (1996)
for 1 deaf person (feemale), 1 soprano (male),
12 instruments and live electronics
text: ter Schiphorst/Oehring
FP: 1996 Donaueschingen (Musiktage)
Ensemble Modern
cond. J. Wyttenbach
duration: 20'
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4REAL
for organ solo (1996)
FP: 1997 Berlin/J. Dalitz
duration: 12'
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SEXTON A.
for viola solo (1996)
FP: 1997 Berlin (Festwochen)
T. Zimmermann
duration: 13'
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PHILIPP
for trombone solo (1997/98
FP: 2000
U. Dierksen
duration: 12'
version for Flute
S. Hornsby
FP: NN
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DOKUMENTATION I
(aus: Irrenoffenive)
Chamber opera (1993/96)
text: Helmut Oehring
for voice, soprano (male), 3 deaf persons -
ob, sax (bass cl), tpt, trbn, tuba, 2 perc -
hf, prepared piano/sampling keyboard,
elec. gtr (elec. bass) with volume pedal, live electronics, vln, vlc
FP: 1996 Spoleto (Teatro Lirico Sperimentale)
ensemble di musica contemporanea
cond. R. Kluttig/directed by D. Abbado
GOGH s.m.p.
duration: 60'
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DAS D‘AMATO SYSTEM
Dance opera in 15 scenes (1996)
text: Oehring
for 1 deaf person (feemale), 2 voices, 1 speaker
2 dancers- bass fl, ob, bass cl, hn, tpt, trbn,
2 perc - hf, piano/sampling keyboard,
elec. gtr/elec. bass with volume pedal, vl, vlc
FP: 1996 München (Biennale)
Kammerensemble Neue Musik Berlin
cond. R. Kluttig, directed by M. Dessau
GOGH s.m.p.
duration: 60'
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LIVE (aus: Androgyn)
(mit Iris ter Schiphorst) (1997)
nach dem Gedicht LIVE von Anne Sexton
18 songs for voice, violin, cello, prepared
piano/sampling keyboard and live electronics
FP: 1997 Witten (Tage f. Neue Kammermusik)
Salome Kammer
Kammerensemble Neue Musik
duration: ca. 20'
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PRAE-SENZ (Ballet blanc II)
(mit Iris ter Schiphorst) (1997)
Es beginnt mit der Wiederholung
Dem Vatermord, der kein Ende hat
PRÉSENCE und ihr Double.
Ein 'théatre de la cruauté'.
Das Nicht-Darstellbare.
Ballet blanc'.
for violin, violoncello and piano/sampling keyboard
FP: 1997 Berlin (Festwochen)/Ictus-Ensemble
duration: 25'
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A.N. (evita-che guevara-madonna)
(mit Iris ter Schiphorst) (1998)
for 2 Voices, 8 Instruments and Live Elektronics
FP: 1998 Liege/Brüssel (Festival ars musica)
cond: F. Deppe
duration: 15'
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REQUIEM
(mit Iris ter Schiphorst) (1998)
nach den neun Psalmen O Ye Tongues aus "The Death Notebooks" von Anne Sexton
for 3 Counter, 12 Instruments and live Elektronics
FP: 1998/Paris D' Automne/Donaueschingen/Brüssel
ICTUS Ensemble cond:G.E.Octors
duration: 55'
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MISCHWESEN
(mit Iris ter Schiphorst)
nach dem Gedicht SILENCE von Anne Sexton
for 1 deaf Woman, 3 Trumpets and Keyboard
FP: 1998 Festival november music Belgium/Nederlands
ASKO Ensemble
duration: ca. 20 '
version for oboe, flute, fagot, keyboard and solist
FP: 1999 Bremen
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8CHT (aus: Der Riss)
for 1 Dance Woman, 7 Deaf People, 1 E.-Git. and Live Elektronics
Graphics: Hagen Klennert
Text: Helmut Oehring
FP: Berlin Prater
duration: 45'
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7IEBEN (aus: Der Spalt)
for 1 Speaker, 3 deaf Woman, 1 Sopranist,
1 Trombone, 1 E.-Git.
Graphics: Hagen Klennert
Text and dir.: Helmut Oehring
FP: Oper Bonn
duration: 55'
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MARIE B. (Seven Chambers) String Quartet No.2
for string quartet and live elctronics
FP: 1999/Kronos Quartett
duration: 20'
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Bernarda Albas Haus
Dance Theatre Music
for 7 Dancers, 1 deaf Woman, 1 Sopranist, 1 E.-Git.
1 Double Bass and Live Elektronics
GOGH s.m.p.
FP: 1999 Theater Basel/Rom/Berlin
Choreog.:J.Schlömer
duration: 90'
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CRUISEN - Study of portrait I -
a special commision from Art Zoyd
GOGH s.m.p. (live electronic)the
National Ochestre de Lille
and Saxophon Quartet Solo E-Git.
FP: 2000 Lille/Maubeuge/Paris
duration: 20'
cond. F.Karaoui
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STILLE.MICH.NACHT.
-from accident recorder-
Carré Brussels
(recorder quartet)
FP: 2000
duration: 10'
GOGH s.m.p.
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BLAUWALDDORF
--weit-aus-ein-ander-liegende-Tage-
Musiktheatralische Ortsbestimmung
für 5 Gehörlose, 2 Sänger, E-Gitarre, Orchester und Live-Elektronik
Text/Musik: Helmut Oehring
Inszenierung: Claus Guth
Surround Sound: Gogh s.m.p. / T. Ottersberg
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Werke in Arbeit
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6ECHS
for 1 Dancer, 3 deaf woman, 3 percusionists, live electronic
Perfoming / Body: L.Cruz, Asko Ensemble, Ch. Schönfeld
Graphics: Hagen Klennert
Text: Helmut Oehring
FP pro musica Bremen
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SPIEGEL (Arbeitstitel)
Music and Dance Project with Iris ter Schiphorst
GOGH surround music
Oh-ton ensemble oldenburg Fl,2 Kl.Klav,Akk,2
Schlgz. choreogr. Irina Pauels
FP: Dresdner Tage für Neue Musik oktober 2000
duration: ca.60 min
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VERLORENWASSER
voice solo elec gtr solo, Double Bass solo, 3-7 deaf persons
cond. Lothar Zagrosek
large orchestra,
Staatstheater, Stuttgart
First Performance
Stuttgart, Liederhalle
FP: 28./29.01. 2001
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Schauspielmusik
Auswahl, nicht verlagsgebunden
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Die Jüdin von Toledo
Dresden (1986), directed by K.K. Lorenz
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Im Dickicht der Städte
Thalia Theater Hamburg (1991)
directed by Ruth Berghaus
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Die heilige Johanna der Schlachthöfe
Thalia Theater Hamburg (1995)
directed by Ruth Berghaus
GOGH s.m.p.
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Alle Werke wurden bei Boosey & Hawkes verglegt
Ausser „Edition Timescraper“.
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