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B E E T H O V E N   2 0 0.  Y  E A R  O F   D E A T H 

P R E M I E R E   L I V E  V E R S I O N  2 0 2 7   

BEETHOVEN? The redemptive fault 

( ... where am I not wounded, cut up ?! )

DanceMusicFilmRequiem fuor a deaf dancer / sign soloist / vicalist + instrumental vocal ensemble + video + 8.1channel audio + live electronics

with texts from  Ludwig van Beethoven's letters and conversation notebooks and using motifs of his music

composing commission  by the Beethoven Anniversary Society

idea + composition + SignMimoChoreography + direction + camera + editing: Helmut Oehring

libretto + dramaturgy + filmscript + photography + direction: Stefanie Wördemann

audio + video production + camera + editing: Torsten Ottersberg / GOGH s.m.p.

Kassandra Wedel + Ensemble Musikfabrik

FILM RELEASE 2022 bthvn2020 / WDR3

commissioned by the Beethoven Anniversary Society for BTHVN2020

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AshenMOON or The Fairy Queen

opera using music of Henry Purcell

with texts by William Shakespeare + Adalbert Stifter + Heinrich Heine + Helmut Oehring​

commissioned by Staatsoper Unter den Linden Berlin

composition + SIGNmimoCHOROEGRAPHY

Helmut Oehring

conception + libretto: Stefanie Wördemann

sound conception + production:

Torsten Ottersberg/GOGH s.m.p.

wp Berlin version 2012 / 13 + 2013 / 14

Staatsoper Unter den Linden Berlin

musical direction: Michael Boder / Johannes Kalitzke / Benjamin Bayl

direction: Claus Guth / stage: Christian Schmidt

wp Wuppertal version 2016 / 17 Opera Wuppertal

musical direction: Jonathan Stockhammer

direction: Immo Karaman

​premiere Cottbus version / State Theater Cottbus

23 January 2026

following performances

24 + 25 January 2026

26 + 28 + 29 March 2026

musical direction: Alexander Merzyn 

direction: Sebastian Baumgarten

stage: Thilo Reuther

costumes: Meentje Nielsen

video: Philipp Haupt

MOON / FAIRY QUEEN - deaf sign soloist

SignMimoPerformance + voice: Kassandra Wedel

accordion + voice: Felix Kroll

guitars + SignMimoPerformance: Helmut Oehring

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ἔκλειψις  (ékleipsis)

solar / lunar eclipse

overlay concealment erasure

But his heart was in a constant, turbulent riot. The most grotesque and fantastic conceits haunted him in his bed at night. A universe of ineffable gaudiness spun itself out in his brain while the clock ticked on the wash-stand and the moon soaked with wet light his tangled clothes upon the floor. Each night he added to the pattern of his fancies until drowsiness closed down upon some vivid scene with an oblivious embrace. For a while these reveries provided an outlet for his imagination; they were a satisfactory hint of the unreality of reality, a promise that the rock of the world was founded securely on a fairy’s wing. f that was true he must have felt that he had lost the old warm world, paid a high price for living too long with a single dream. He must have looked up at an unfamiliar sky through frightening leaves and shivered as he found what a grotesque thing a rose is and how raw the sunlight was upon the scarcely created grass. A new world, material without being real, where poor ghosts, breathing dreams like air, drifted fortuitously about ... like that ashen, fantastic figure gliding toward him through the amorphous trees.​F. Scott Fitzgerald The Great Gatsby

Our summer is just winter painted green.

Heinrich Heine, Reisebilder II

These late eclipses in the sun and moon portend no good to us: though the wisdom of nature can reason it thus and thus, yet nature finds itself scourged by the sequent effects: love cools, friendship falls off.  William Shakespeare King Lear

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Gatsby (fairy scary) I - III from the series of photographies on the opera AshenMOON (aluminium prints 2012) by Stefanie Wördemann

AKTUAL WORK CYCLES

[iɱˈfɛrno] (from: MAPPA) I – III

audiovisual work cycle on Dante Alighieri + Sandro Botticelli

excerpts from [iɱˈfɛrno] (aus: MAPPA) collective lovemusic 25 November 2022 Arsenal de Metz

[iɱˈfɛrno] (from: MAPPA) I Contrapasso I – V (to: Wladimir Putin / Sergej Lawrow)

original version for bass flute + bass clarinet + violoncello + e-guitar + SignMimoChoreography + preproduces audioplay

UA 2022 collective lovemusic * Klangwerkstatt Berlin * Arsenal de Metz * 2023 Conservatório de Música de Coimbra * la musica Strasbourg * 2024 Le Lieu Unique Nantes 2025 rainy days Phiharmonie Luxembourg * Gare du Nord Basel 2026 GMEM Marseille * Le Vevier Montréal 

version for violin + SignMimoChoreography + preproduced audioplay

version for violoncello + SignMimoChoreography + preproduced audioplay

version for violin + violoncello + bass flute + bass clarinet + percussion + prepared piano / keyboard + SignMimoChoreography + preproduced audioplay

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Hagen Klennert

Magere Hein in het gezelschap van twee Tinsel Stallions (Godfather Death accompanied by two Lamettastallions

GraphicPhotoCollage 2022

[iɱˈfɛrno] (from: MAPPA) II Contrapasso VI – VIII

(to: Patriarch Kyrill I / Wladimir Michailowitch Gunjajew + Archpriest Andrej Jurjewitch Tkachev)

original version for three (contra)bass clarinets + SignMimoChoreography + preproduced audioplay

wp 2024 Sabina Matthus-Bébié + Horia Dumitrache + Ingólfur Vilhjálmsson + Helmut Oehring

Weimar Spring Festival for New Music

Version for contrabass clarinet + SignMimoChoreography + preproduced audioplay

wp 2025 Teresa Doblinger + Helmut Oehring * Music Theater Days Vienna

[iɱˈfɛrno] (from: MAPPA) III Contrapasso IX – XIII

(tp: Sergej Coushugetowitsh Shoigu + Andrej Remowitsch Beloussow)

original version for oboe / English horn + SignMimoChoreography + preproduced audioplay

wp / CD production 2024 Antje Thierbach

version for flute / bass flute + SignMimoChoreography + preproduced audioplay

wp n.n.

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CHANT OF A WAR PIMP graphic / ink on paper (2015) by Hagen Klennert

GOYA I – V

audiovisual work cycle on Françisco de Goya + Ludwig van Beethoven

Three graphics by Hagen Klennert on Helmut Oehring's work cycle GOYA 

on Desastres de la Guerra by Francisco Goya; ink on paper 2008

GOYA I

on Les Desastres de la Guerra by Françisco de Goya

using music of Ludwig van Beethoven

for orchestra

wp 2007 * SWR Symphony Orchestra *  conductor: Rupert Huber * Donaueschingen Music Days

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GOYA II Yo lo vi

memoratorio on drawings by Françisco de Goya and texts of Hermann Kesten + Fédérico Garçia Lorca using music of Manuel de Falla + Hans Werner Henze

for vocalist / double bassist + boy soprano + electric guitar + Spanish guitar

+ male signsoloist + mixed choir + large orchestra + live electronics

idea + composition: Helmut Oehring

conception + libretto + dramaturgy: Stefanie Woerdemann

audioconception + -produktion: Torsten Ottersberg/GOGH s.m.p.

commissioned by German Symphonic Orchestra

wp 2008 German Symphony Orchester + Broadcasting Choir Berlin + Matthias Bauer + Jörg Wilkendorf + Daniel Göritz * conductor: Ingo Metzmacher * Philharmonie Berlin

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GOYA III Veía la mano, pero como alelado

on Ludwig van Beethoven's string quartet No 14 c sharp minor op. 131

for 18 string instruments

wp 2014 Ensemble Resonanz

* Beethovenfest Bonn / Alte Oper Frankfurt am Main / Laeiszhalle Hamburg

L'Absent II graphic by Hagen Klennert from the cycle Age and Madness on GOYA III by Helmut Oehring and Francisco Goya's late drawings of the Scetchbooks of Bordeaux; ink on paper 2014

GOYA IV

based Françisco de Goya's late drawings + Ludwig van Beethoven's late string quartets 

for string quartet + SignMimoChoreography

IN PLANNING / wp n.n.

GOYA V

multimedial ChoirRequiem in the late works by Françisco de Goya + Ludwig van Beethoven

with excerpts by Paul Éluard's poem Liberté, Ludwig van Beethoven's letters
and texts by Helmut Oehring

for vocal+instrumental soloists + deaf sign language solists + dancers + mixed choir + orchestra / big ensemble  + SignMimoChoroegraphy + live elektronis + multichannel audio + multichannel video

idea + composition + stage direction: Helmut Oehring

conception + libretto + dramaturgy: Stefanie Woerdemann

audioconception + -production: Torsten Ottersberg/GOGH s.m.p.

IN PLANNING / w.p. n.n.

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excerpts from [iɱˈfɛrno] (aus: MAPPA) collective lovemusic 25 November 2022 Arsenal de Metz

Angelus Novus I – III

audiovisual work cycle on Walter Benjamin's Historical Thesis IX

+ Paul Klee's drawings series on the Angel of History

ANGELUS NOVUS I

Ensemble study on Walter Benjamin's Historical Thesis IX + Paul Klee's drawings series on The Angel of History + docupoetical texts by Helmut Oehrings

idea + composition: Helmut Oehring

conception + libretto: Stefanie Wördemann

version for 11 instrumental soloists

wp 2015 Tonhalle Zuerich

Collegium Novum Zuerich

version for oboe + clarinet + bassoon + violin + viola + violoncello + percussion + piano + e-guitar

wp 2022 Luis Ángel Arango Recital Hall Bogotá * Ensemble Aventure

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ANGELUS NOVUS II

Collage instrumental-vocal mis-en-scène on drawings by Paul Klee

+ texts by Walter Benjamin + Charles Baudelaire

for vocal + instrumental soloists + jazz quartet + orchestra

+ SignMimoChoreography + live electronics + video

idea + composition: Helmut Oehring

conception + libretto: Stefanie Wördemann

wp 2015 University of The Arts / Dampfzentrale Bern

David Moss + Kai Wessel + Matthias Bauer et al.

artistic direction Helmut Oehring

musical direction: Lennart Dohms

staging: Angela Koerfer-Bürger

stage design: Mirella Weingarten

ANGELUS NOVUS III (déja-vu / entendu)

on Walter Benjamin's Historical Thesis IX + Paul Klee's drawings series on The Angel of History + docupoetical texts by Helmut Oehrings

for ensemble + orchestra + SignMimoChoreography + live electronics

idea + composition: Helmut Oehring

conception + libretto: Stefanie Wördemann

wp 2016 Theater Freiburg

Ensemble Aventure + Philharmonic Orchestra Freiburg

musical direction: Daniel Carter

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EURYDIKE?

audiovisual work cycle on Claudio Monteverdi's L'Orfeo

excerpts from EURYDIKE? vol. 1

EURYDIKE? vol. 1

AudioVideoInstallation + Performance for a deafmute dancer/voice + a violonist/dancer/voice + a guitarist/dancer/voice

composition + direction + camera + film editing: Helmut Oehring

dramaturgy + co-director + photography: Stefanie Wördemann

audio production + camera + film editing + sound direction: Torsten Ottersberg / GOGH smp

wp 2019 Kassandra Wedel + Emily Yabe + Mia Carla Oehring  * Tonlagen festival HELLERAU Dresden * SPOR festival Århus * Kontraklang festival of the Academy of Arts Berlin

EURYDIKE? vol. 2

 

original version as audiovisual DanceRequiem

for a deafmute dancer/voice + a violonist/dancer/voice + a guitarist/dancer/voice + instrumental ensemble + 2ChannelVideo + 10.2ChannelAudio

wp n.n.

version as DanceMusicVideoInstallation

for 3 female dancers + violin soloist + 3 accordion soloists + 2ChannelVideo + 10.2ChannelAudio

idea + composition + SignMimoChoreography + direction + camera: Helmut Oehring

audio+video production + sound direction + film editing: Torsten Ottersberg / GOGH smp

text book + dramaturgy + photography: Stefanie Wördemann

release FILM 2023 Katja Erfurth + Kassandra Wedel + Mia Carla Oehring + Florian Mayer + Felix Kroll + Silke Lange + Susanne Stock * european Centre of The Arts HELLERAU Dresden in collaboration with male prisoners and choir of prison Dresden

EURYDIKE? vol. 3

 

original version for contrabass clarinet + SignMimoChoreography + preproduced audioplay + video

UA 2025 Teresa Doblinger + Helmut Oehring * Musiktheatertage Wien

excerpts fromEURYDIKE? vol. 2

not FREEZE

audiovisual work cycle

not FREEZE I (fāId)

original version for electric guitar + keyboard / prepared piano + drumset

wp 2023 Pony Says * ZeitGenuss Festival Karlsruhe * Art Foundation  Baden-Wuerttemberg Stuttgart

26 January 2025

release debut album (vinyl + digital)

Pony Says

Ghost Notes Records

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not FREEZE II

original version for instrumental solist + SignMimoChoreography

wp 2024 Manos Tsangaris + Helmut Oehring * Academy of Arts Berlin

Pony Says * Felix Nagl + Lucas Gerin + Thilo Ruck

foto copyright: Philip Mallmann 

nicht ERSTARREN II

excerpts of nicht ERSTARREN II Manos Tsangaris + Helmut Oehring 17 July 2024  Academy of Arts Berlin

not FREEZE III

original version for contrabass clarinet + SignMimoChoreography + preproduced audioplay

wp 2025 Teresa Doblinger + Helmut Oehring * Music Theater Days Vienna

not FREEZE IV

original version for contrabass clarinet + preproduced audioplay

wp 2025 Teresa Doblinger + Helmut Oehring * Music Theater Days Vienna

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EYE / TONGUE

audiovisual duo

original version for contrasbass clarinet + SignMimoChoreography

wp 2020 Paul Kreitz + Helmut Oerhing * Staatsoper Stuttgart

version für bass flute + SignMimoChoreography

wp 2023 Ursula Weiler * Ensemble Quillo * Rofinpark Eberswalde

premiere France + Taiwan 2024 Mu-Xuan Lin * Pavillon de la Sirène Paris * Players Theatre of the National Taiwan University Taipeh

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edge (to Sylvia Plath) photography (aluminium print 2025) by Stefanie Wördemann

WORLD PREMIERE

edge dramma per musica

for violin / voc + viola / voc + SignMimoChoreography + preproduced audioplay + video ad libitum
commissioned by Aperture Duo

autumn 2025 Aperture Duo * Adrianne Pope + Linnea Powell * Los Angeles

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Violinist and visual artist Adrianne Pope is a chamber musician and new music promoter who is a member of the Grammy-nominated new music collective Wild Up in Los Angeles and the Hollywood Bowl Orchestra, with whom she has performed with legendary artists such as Diana Ross, Violent Femmes, Earth, Wind & Fire, Randy Newman, Kool & The Gang and Cyndi Lauper.

Violist Linnea Powell is a member of the new music collective Wild Up and an orchestral, chamber and studio musician and performer of new chamber music. As a music educator, she directs the Conejo Valley chapter of the Junior Chamber Music School and was a founding member of the LA Philharmonic's Youth Orchestra at the Los Angeles County High School of the Arts.

Aperture Duo curates fearless programs that explore new sounds, voices and techniques through the lens of violin and viola chamber music. It has been praised by the music press for its “precision and interpretation” as well as its “strong sense of unity and independence”. Equally at home performing early and new music, it actively commissions new works to expand the repertoire for violin and viola duos. Aperture Duo has been invited to perform at the California Institute of the Arts, Avaloch Farm Music Institute, Las Positas College, Black House SoCal New Music Workshop, Eureka! Musical Minds of California Graduate Student Conference, and educational concerts with Grammy-nominated new music collective Wild Up and the Los Angeles Chamber Orchestra. His performances include Tuesdays @ Monk Space, the Carlsbad Music Festival, Music at Boston Court, L.A. Signal Lab, LA Downtown Art Walk, Brooklyn's Home Audio Concert Series, UC Santa Barbara Summer Music Festival, Window Concert Series at the Craft in America Center, and Hear Now Music Festival. www.apertureduo.com

ACTUAL CONCERT READING

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ConcertReading To see the world with different ears  Helmut Oehring + Ensemble Quillo 20 Years Quillo - Happy Birthday

foto copyright: Tom Schweers

TO SEE THE WORLD WITH DIFFERENT EARS

ConcertReading

with texts from Helmut Oehring's autobiography WITH DIFFERENT EYES

and his new AssemblyNovel + Screenplay ALEXander

compositions for solo to sextet

Ensemble Quillo

bass flute: Ursula Weiler

violin: Julia Yoo Soon Gröning 

violoncello: Luise Rau

accordion: Felix Kroll

concert guitar: Daniel Göritz

voice + guitar + SignMimoPerformance: Helmut Oehring

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κάθαρσι / KATHARSIS III Julia Yoo Soon Gröning + Helmut Oehring 12 October 2024  ConcertReading 20 Years Quillo - Happy Birthday

foto copyright: Tom Schweers !

WORKS IN PROGRESS

Warm Summer Sun and other songs

on texts by Marc Twain +  Helmut Oehring et.al.

for soprano + violin
wp 2025/26 Stacey Frazer * Los Angeles

Seven Songs

on texts by William Shakespeare + David Foster Wallace +  Helmut Oehring

for mezzosoprano + violin + audioplay + SignMimoChoreography

wp 2025/26 Chemnitz

FEAR (Responsorium)

szenic-oratoric PASSION

using music of Johann Sebastian Bach

for narrator + countertenor + boy soprano + instrumental-vocal soloists

+ female choir (hearing + nonhearing) + SignMimoChoreography + dancers

+ orchestra + iive elektronics

wp nn.n.

WANDERER (EastWestSouthNorth)

on works of Alfred Doeblin + Johannes Theodor Baargeld

and autobiographic documents of the contributors

for double bassist / narrator / performer + instrumental+vocal soloists / quintet + SignMimoChoreography

for Aleksander Gabryś + Ensemble Quillo in an artistic encounter

with Polish musicians + audio+video artists

commissioned by + in collaboration with Pomerania e.V.

wp 2025/26 Szczecin/Poland

Without title (Beetles) 1920

Graphic by Johannes Theodor Baargeld

NEW ON CD

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A production of

Grammy winner John Schneider +

Grammy nomminé Aron Kallay

MicroFest Records Los Angeles

 

The silence falls

Song from the music theatre

AGOTA? The Analphabet (yesterday / somewhere)

on texts by Ágota Kristóf

Stacey Fraser soprano

Aron Kallay piano

Brightwork Ensemble

NEW ON NETFLIX

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LULLABY

Johann Feindt + Tamara Trampe director
Johann Feindt + Jule Cramer camera
Stepha
n Krumbiegel editor

with: Helmut Oehring + Detlef Jablonski 

+ Apti Bisultanov a.o.

2010 zero one film a coproduction with ZDF + ARTE

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NOW ALSO AS PAPERBACK

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