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"The events on stage are not visible on the CD production from Dampfzentrale Bern, but are acoustically present in the background. Even so, the music is plastic, because its design is contoured by memorable alternations of sound-noise mixtures, groove and improvisation and, above all, dynamic contrasts (Songs and recitatives from whispers to screams) the existential distress of internal and external escape events. The merit of this excellent recording is to be able to understand them in a compelling way."  Hans-Dieter Grünefeld, Music & Theater Zurich

"The events on stage are not visible on the CD production from Dampfzentrale Bern, but are acoustically present in the background. Even so, the music is plastic, because its design is contoured by memorable alternations of sound-noise mixtures, groove and improvisation and, above all, dynamic contrasts (Songs and recitatives from whispers to screams) the existential distress of internal and external escape events. The merit of this excellent recording is to be able to understand them in a compelling way."  Hans-Dieter Grünefeld, Music & Theater Zurich

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